Critical Note

Home to Roost: Some Problems for the Nested-Types Theory of Musical Works, Versions, and Authentic Performance

Authors:

Abstract

A critical note on Nemesio G. C. Puy, ‘Interpretive Authenticity: Performances, Versions, and Ontology’, Estetika 59 (2022): 135–52.

Keywords:

musicmusical worksperformancesauthenticityontology of music
  • Year: 2022
  • Volume: 59 Issue: 2
  • Page/Article: 153–164
  • DOI: 10.33134/eeja.360
  • Submitted on 9 Aug 2022
  • Accepted on 9 Aug 2022
  • Published on 15 Sep 2022
  • Peer Reviewed